Top 15 Must-Read Books by Ruth Rendell: A Comprehensive Guide

Dazzling psychological suspense. Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell. From Doon with Death, now in a striking new paperback edition, is her classic debut novel -- and the book that introduced one of the most popular sleuths of the twentieth century.

There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods.

Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons’ past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding.

In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest.

It's impossible to forget the violent bludgeoning to death of an elderly lady in her home. Even more so when it's your first murder case.

Wexford believed he'd solved Mrs. Primero's murder fifteen years ago. It was no real mystery. Everyone knew Painter, her odd-job man, had done it. There had never been any doubt in anyone's mind. Until now.

Henry Archery's son is engaged to Painter's daughter. Only Archery can't let the past remain buried. He wants to prove Wexford wrong and in probing into the lives of the witnesses questioned all those years ago, he stirs up more than old ghosts.

The third book to feature the classic crime-solving detective, Chief Inspector Wexford.

Anita Margolis has vanished. Dark and exquisite, Anita's character is as mysterious as her disappearance.

There was no body, no crime - nothing more concrete than an anonymous letter and the intriguing name of Smith. According to headquarters, it wasn't to be considered a murder enquiry at all.

With the letter providing them with only one questionable lead to follow, Wexford and his sidekick Inspector Burden are compelled to make enquiries. They soon discover Anita is wealthy, flighty, and thoroughly immoral. The straight-laced Burden has a very clear idea of what happened to her. But Wexford has his own suspicions...

What on earth could have provoked a modern day St. Valentine's Day massacre?

On Valentine's Day, four members of the Coverdale family--George, Jacqueline, Melinda and Giles--were murdered in the space of 15 minutes. Their housekeeper, Eunice Parchman, shot them, one by one, in the blue light of a televised performance of Don Giovanni. When Detective Chief Superintendent William Vetch arrests Miss Parchman two weeks later, he discovers a second tragedy: the key to the Valentine's Day massacre hidden within a private humiliation Eunice Parchman has guarded all her life.  A brilliant rendering of character, motive, and the heady discovery of truth, A Judgement in Stone is among Ruth Rendell's finest psychological thrillers.

A mother and a daughter live quietly in the rustic gatehouse of Shrove House, an isolated British estate. Their life seems perfectly ordinary except that daughter Liza has been kept isolated from the outside world for all of her sixteen years. And that she has seen her beautiful mother commit murder... more than once. Now, as the police come searching for a missing man, Liza's sheltered, strange world begins to fall apart. Piece by piece she will reveal her mother's tale of betrayal, desire, and obsession. Step-by-step we discover how much like mother, like daughter she is.

With floods threatening both the town of Kingsmarkham and his own home and no end to the rain in sight, Chief Inspector Wexford already has his hands full when he learns that two local teenagers have gone missing along with their sitter, Joanna Troy. Their hysterical mother is convinced that all three have drowned, and as the hours stretch into days Wexford suspects a case of kidnapping, perhaps connected with an unusual sect called the Church of the Good Gospel. But when the sitter’s smashed-up car is found at the bottom of a local quarry–occupied by a battered corpse–the investigation takes on a very different hue.

The Babes in the Wood is Ruth Rendell at her very best, a scintillating, precise and troubling story of seduction and religious fanaticism–and murder.

In this psychologically explosive story from "one of the most remarkable novelists of her generation" (People), the discovery of bones in a tin box sends shockwaves across a group of long-time friends.

In the waning months of the second World War, a group of children discover an earthen tunnel in their neighborhood outside London. Throughout the summer of 1944—until one father forbids it—the subterranean space becomes their "secret garden," where the friends play games and tell stories.

Six decades later, beneath a house on the same land, construction workers uncover a tin box containing two skeletal hands, one male and one female. As the discovery makes national news, the friends come together once again, to recall their days in the tunnel for the detective investigating the case. Is the truth buried among these aging friends and their memories?

This impromptu reunion causes long-simmering feelings to bubble to the surface. Alan, stuck in a passionless marriage, begins flirting with Daphne, a glamorous widow. Michael considers contacting his estranged father, who sent Michael to live with an aunt after his mother vanished in 1944. Lewis begins remembering details about his Uncle James, an army private who once accompanied the children into the tunnels, and who later disappeared.

In The Girl Next Door Rendell brilliantly shatters the assumptions about age, showing that the choices people make—and the emotions behind them—remain as potent in late life as they were in youth.

"A Sight for Sore Eyes" tells three stories, and for the longest time, the reader has no inkling of how they will come together. The first is a story of a little girl who has been scolded and sent to her room when her mother is brutally murdered; as Francine grows up, she is haunted by the experience, and it is years before she even speaks. Secondly, we become privy to the life of a young man, Teddy, born of unthinking young parents, who grows up almost completely ignored. Free of societal mores, he becomes a sociopath, who eventually discovers that killing can be an effective way to get what he wants. Thirdly, we meet Harriet, who from an early age has learned to use her beauty to make her way in the world. Bored by marriage to a wealthy, much older man, she scans the local newspapers for handymen to perform odd jobs around the house, including services in the bedroom.
When these three plots strands finally converge, the result is harrowing and unforgettable. "A Sight for Sore Eyes" is not just the work of a writer at the peak of her craft. It is an extraordinary story by a writer who, after 45 books, countless awards, and decades of international acclaim, is still getting better with every book.

Rodney Williams's disappearance seems typical to Chief Inspector Wexford -- a simple case of a man running off with a woman other than his wife. But when another woman reports that her husband is missing, the case turns unpleasantly complex.

Who could have suspected that the exciting stag party for the groom would be the prelude to the murder of his close friend Charlie Hatton? And Charlie's death was only the first in a string of puzzling murders involving small-time gangsters, cheating husbands, and loose women. Now Chief Inspector Wexford and his assistant join forces with the groom to track down a killer . . .

Investigating the murder of a socialite family, Inspector Wexford is forced to face his own deepest feelings. Called "one of Rendell's darkest and most subtle character studies"

In the quiet Sussex country town of Kingsmarkham, the daughter of Nigerian physician Raymond Akande is missing. It's probably nothing, says Dr. Akande to his friend and client Chief Inspector Wexford, whose help he enlists.
But the days that follow prove the doctor dreadfully wrong. A young woman is found murdered not Melanie, but the last person to have seen and spoken to her. A second woman's body is discovered, again not Melanie's, but like her, young and black. A third woman turns up beaten and unconscious; like the others, she is of Nigerian origin. As Inspector Wexford's investigation stretches from days into weeks, it becomes his unhappy obligation to counter the hopes of the doctor and his wife. In Wexford's professional opinion, Melanie, like the other young women, has become the victim of a serial killer with a horrifyingly singular objective.

When his father dies, Carl Martin inherits a house in an increasingly rich and trendy London neighborhood. Carl needs cash, however, so he rents the upstairs room and kitchen to the first person he interviews, Dermot McKinnon. That was colossal mistake number one. Mistake number two was keeping his father's bizarre collection of homeopathic "cures" that he found in the medicine cabinet, including a stash of controversial diet pills. Mistake number three was selling fifty of those diet pills to a friend, who is then found dead.

The seventh book to feature the classic crime-solving detective, Chief Inspector Wexford.

It seems fitting that the final resting place of a girl's body should be in a graveyard. But this is no peaceful burial. This is a brutal murder scene.

Under strict orders from his doctor to indulge in no criminal investigation, Wexford is sent to London for a break away from the pressures of the Kingsmarkham police force. But then he discovers that his nephew Howard is heading the investigation into the macabre murder of Loveday Morgan, whose body was found abandoned in Kenbourne Cemetery.

Despite opposition from Howard and his team, Wexford is drawn to the case. And when he unearths Loveday's connection to a religious cult whose leader was imprisoned for sexual absue, he relentlessly pursues this sinister new lead...

Mopsa, driven by a past scarred by madness and violence. Benet, stricken by the most grievous loss any woman can bear. Carol, trapped in a life of crushing drabness no lover can change. Three mothers joined by a single thread of terror, whirled into a spiral of kidnapping, murder, and a final, reckless affirmation of love.